“Queer Time Machines: Hauntologies of Literature” by Ben Berman Ghan

Elizabeth Freeman opens Time Binds: Queer Temporalities, Queer Histories introduction with a description of the 2002 experimental film K.I.P by Nguyen Tan Hoang – a hybrid of queer art and gay porn – a project of “time art” (Freeman 1) that fights against the constraints of what Freeman calls chrononormativity,